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Bottesini died in Parma on 7 July During these years he diversified the toils of conducting by repeated concert tours through Europe.
Shortly before his wlegia, in he was appointed director of Parma Bottexini on Verdi’s recommendation. Eventually, it was changed back to a four-string configuration and is now in the possession of a private collector in Japan.
Views Read Edit View history. Here his first opera, Cristoforo Colombowas produced in After this he made frequent visits to England, and his extraordinary command of his unwieldy instrument gained him great popularity in London and the provinces.
Please help to improve this article by introducing more precise citations. In he made his first appearance in England, playing double bass solos at one of the Musical Union concerts. This style was previously used solely by violinists, violists and cellists.
Born in Crema, Lombardyhe botteesini taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of bottfsini. He also wrote The Garden of Oliveta botteaini oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a quintet for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante originally for two double basses, Passione Amorosa for two double basses, and numerous pieces for double bass eelgia piano.
His solo works remain standard repertoire for accomplished double bassists to this day. Wikimedia Commons has media related to Giovanni Bottesini.
Bottesini wrote three operas besides those previously mentioned: The instrument was e,egia by several unknown bass players. Giovanni Bottesini 22 December — 7 Julywas an Italian Romantic composer, conductor, and a double bass virtuoso.
Bottesini was also one of the first performers to adopt the French-style bow grip for the double bass.
His father sought a place for him in the Milan Conservatorybut due to the Bottesini family’s lack of money, Bottesini needed a scholarship. His fantasies on Lucia di LammermoorI puritani and Beatrice di Tenda are virtuosic tours de force that are still popular with those who are highly accomplished on the instrument.
He prepared a successful audition for the double bass scholarship in a matter of weeks. He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events. Bottesini purchased the Testore in for lire. From Wikipedia, the free encyclopedia. On leaving Milan, he spent some time in America and also occupied the position of principal double-bass in the Italian opera at Havana, where he later became director.
This page was last edited on 21 Decemberat February Learn how and when to remove this template message. At the conservatory, he studied with Luigi Rossi, to whom he would later dedicate his Tre grandi duetti per contrabasso.
Retrieved from ” https: It nearly met its end in the s as it sat backstage in a marionette theater in Milan. This money financed the acquisition of an slegia of Carlo Giuseppe Testoreand a globe-trotting career as “the Paganini of the Double Bass” was launched.
Bottesini was widely acclaimed, and his virtuosic skill in the bass paralleled that of Paganini botfesini on the violin. When conducting opera, Bottesini would frequently bring his double bass on stage during the intermission to play fantasies on the evening’s opera.
Elegy (Bottesini, Giovanni) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
Because of the contributions of Bottesini along with those of Sperger and Dragonetti to bottesjni technique, many have come to view the double bass as a diverse and versatile instrument. List of compositions by Giovanni Bottesini. This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations.
In other projects Wikimedia Commons. Only four years later, a surprisingly short time by the standards of the day, he left with a prize of francs for solo playing.
BOTTESINI – Elegia
Most notably there are many virtuoso bass players who draw inspiration from the early renaissance of the double bass. Biography portal Classical eegia portal.
Only two positions were available: