SONATINE FOR FLUTE AND PIANO. BY PIERRE BOULEZ. A Written Document. Submitted to the Graduate Faculty of the. Louisiana State University and. Sonatine: Pierre Boulez: In his Sonatine for flute and piano (), the tone imitations and canons progress so quickly as to leave an impression merely of. Boulez: Sonatine For Flute & Piano, Etc / Ensemble with Aimard, Pierre- Laurent, Cherrier, Sophie on CD. Order from your preferred classical music CD store.
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The French Avant-Garde in the 20th Century. Share on facebook twitter tumblr. Rainy Day Relaxation Road Trip. Gramophone products and those of specially selected partners from the world of music. Chant de Linos; Boulez: While it’s an that Boulez may have gotten the core of this idea from Schoenbergit has a life of its own in Boulez ‘ hands.
Sonatine, for flute & piano
Le Domaine Musical, Vol. Boulez himself has stated the work along with its counterpart, the Cor Piano Sonata draws a fair amount from Schoenbergspecifically his Chamber Symphony. Gramophone’s expert reviews easier than ever before. Genre Chamber Music Classical.
If 51 minutes seems a touch short for a CD these days, at least bouulez have the pleasure of knowing that every note on this disc is quality-assured. In both Densite Georges Vlute, for whose platinum flute Varese wrote his ground-breaking Densite The Sonatine for flute and piano serves as a perfect example of some of the stylistic variations Boulez took from his contemporaries, and why, years later, this work and those like it are still examined for their innovative qualities.
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Boulez: Sonatine For Flute & Piano, Etc / Ensemble Intercontemporain
Sonatine; Piano Sonata No. Skip to main content. The piece itself is rather short, but full of energy, with huge melodic leaps, sharp rhythmic and tempo contrasts, and an aggressive quality which never lets up until the conclusion of the piece.
Composition Artist Credits Sonatine. Introspection Late Night Partying. From this work of his predecessor, Boulez took, more than anything else, the idea of “the metamorphosis of a single theme”. But here is proof that atonality can be fun.
This, Jolivet seems to be saying, is what the faun might have played before sex addled his brain. Streams Videos All Posts. The Now and Present Flute.
Also, he has limited some of his divisions of the twelve tones into groups of five, five, and two, with the use of the motif tritone to fifth. It is rare that a complete statement of the entire twelve tones be completed in one of Boulez ‘ works; however, we get a rare glimpse of this unique entity here. The Sonatine was written on commission for flutist Jean-Pierre Rampalwho curiously never played it because of his extreme dislike for the work.
The first five-note theme which appears in the flute part does show up in various stages throughout the piece; keeping the piece united, these act as a landmark throughout the piece. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. Sonatines for flute and piano. Sexy Trippy All Moods. Song of a Desert Bird: Le Domaine Musical, Boulez ‘ writing is twelve-tone in its basic pitch material, and virtuosic in its use of the timbres, unique combinations of textures, shifts in dynamic accents, etc.
The twelve-tone materials used in this work are easily seen by a quick look at the flute opening. And, with the minor reservations mentioned above, that goes for the performances, too. Throughout most of the work, there is no true connective tissue between the flute and piano parts past the pitch choices, which perhaps leaves the variations on tempo, texture, and timbre as the unifying structure to the entire work.
While much of the music of Boulez depends upon serial and twelve tone techniques, there is no doubt that his use of these techniques is unique.
Sonatine | work by Boulez |