his seminal Della pittura (; On Painting), Leon Battista Alberti codified, Leon Battista Alberti’s De pictura (Della pittura), a treatise on the theory of. “Vita di Leonbatista Alberti, scritta dal cav. ab. Girolamo Tiraboschi”–P. Associated-names Alberti, Leon Battista, De pictura. Italian; Alberti, Leon. [1] The novelty to which the title explicitly refers [note of the editor: The new treatise on painting by Leon Battista Alberti] has nothing to do with.

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As a designer and a student of Vitruvius and of ancient Roman remains, he battiista the nature of column and lintel architecture, from the visual rather than structural viewpoint, and correctly employed the Classical ordersunlike his contemporary, Brunelleschiwho utilised the Classical column and pilaster in a free interpretation. The proof of this is found in spherical bodies.

The best known feature of this typically aisled church is the manner in which Alberti has solved the problem of visually bridging the different levels of the central nave and much lower side aisles.

Retrieved from ” https: He loved animals and had a pet dog, a mongrel, for whom he wrote a panegyricCanis. Through the mixing of colours infinite other colours are born, but there are only four true colours—as there are four elements—from which more and more other kinds of colours may be thus created.


Leon Battista Alberti Italian: Dictionary of Scientific Biography. Reblogged this on femidadaadedina. No one doubts that the good will of many is a great help to the artist in acquiring both fame and wealth. He always lived honourably and like the gentleman he was. Pienza is considered an early example of Renaissance urban planning.

The philosophers say that nothing can be seen which is not illuminated and coloured. He employed two large scrolls, which were to become a standard feature of Church facades in the later Renaissance, Baroque and Classical Revival buildings. Agesilaos, the Lacedaemonian, never permitted anyone to paint him or to represent him in sculpture; his own form so displeased him that he avoided being known by those who would come after him.

The village, previously called Corsignano, was redesigned beginning around Pius II wanted to use the village as a retreat but needed for it to reflect the dignity of his position.

New Haven and London: From this it is clear why a very distant quantity seems to be no larger than a point. You are commenting using your WordPress.

Leon Battista Alberti – De Pictura / De la peinture (1435)

Alberti was well-versed in the sciences of his age. Library resources about Leon Battista Alberti.

You are commenting using your Facebook account. Ergo semper quae picturi sumus, ea a natura sumamus, semperque ex his quaeque pulcherrima et dignissima deligamus. By using this site, you agree to the Terms of Use and Privacy Policy.

De Pictura

The facade, with its dynamic play of forms, was left incomplete. All articles with unsourced statements Articles with unsourced statements from October Alberti was here perhaps following Pliny’s description of the dark varnish used by Apelles.


Preparing document for printing…. On the Art of Building in Ten Books.

The Medici and science

De pictura influenced the work of artists including DonatelloGhibertiBotticelliand Ghirlandaio. Enter the password to open this PDF file: Painters and sculptors strive “through by different skills, at the same goal, namely that as nearly as possible the work they have undertaken shall appear to the observer to be similar to the real objects of nature.

His knowledge of optics was battissta to the handed-down long-standing tradition of the Kitab al-manazir The Optics ; De aspectibus of the Arab polymath Alhazen Ibn al-Haythamd. His detailed observations, included in his De Re AedificatoriaOn the Art of Building[11] were patterned after the De architectura by the Roman architect and engineer Vitruvius fl. Therefore the painter ought to acquire many good habits—principally humanity and affability.

For example, Alberti advised artists to use colour with restraint, and to paint in the effect of gold rather than using actual gold in their paintings.