his twenties, Beccaria wrote Dei delitti e delle pene (), a highly influential book that was translated into English in as On. Crimes and Punishments. юз 1 2 Finetti, Trattato della Lingua Ebraica, Siriaica, Samaritans, Arabica, Fenicia, 28 6d — Par, Beccaria, dei Delitti e delle Pene, 3s 6d — ib. 1 Pino, Scielta di Lettere, 2s — — Уел. a Giuftiniano, . 81 Facchinei in effect reacted at length to Beccaria’s writings regarding secret ad uno scritto ches’intitola Note ed osservazioni sul libro Dei delitti e delle pene, Renato Pasta, and Francesca Pino Pongolini, Milan: Mediobanca, , pp.

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Although unsigned, the present binding can confidently be attributed to the outstanding Viennese binder Georg Friedrich Krauss fl.

Letteratura artistica: Winckelmann in Milan. Edited by Aldo Coletto and Pierluigi Panza

Imperial folio x mm. Parents started removing their children; when finally only six students remained, the school had to be closed down. The album includes landscapes, interiors, neoclassical reconstructions of Rome, and Egyptian scenes.

He chose a vei path to more easily devote himself to his studies.

The first edition also appeared with an errata leaf containing twenty-one corrections, likely printed as a separate sheet, and thus now scarcely found; as with most copies, the errata leaf is missing in the present copy. At the same time, the city of Bologna was occupied by the Austrian army, and Marsigli attempted to conform his still undistributed publication, which was replete with political statements and references to religious questions, to the new political context.

Board edges tooled with gilt fillets, pjno dentelles. First edition, a later issue probably printed in the late s and early s, of the complete series, in first state, of this precocious manifesto of Piranesi’s historical study of the antiquities of Rome.

Many of Beccaria’s writings were at that stage little known or unedited, but Mediobanca, with the whole-hearted support of Franco Venturi, Leo Valiani and Luigi Firpo, chose to honour the deltiti of Adolfo Tino, its Chairman of over twenty years’ standing who passed away several months previously, with the launch of this National Edition.


National Edition of the Works of Cesare Beccaria – Mediobanca S.p.A.

A manifesto on legal reform, and one of the best interpretations of the ideas circulating around France in the second half of the eighteenth century. Finely bound for Antoine-Augustin Renouard. Twelve numbered drawings in ink ten in the text, two as folding plates, x mm. Risultati da 51 a 75 su The Raccolta di prospettive serie, rustiche, e di paesaggio is composed of a wide range of inventive set designs by one of the most veccaria and active Italian scenographers of the nineteenth century, Antonio Basoli.

Title, imprint, and volume numbering lettered in gilt. Beside the family business, Maffeo assembled a valuable collection of coins, medals, books, prints, statues, and paintings over the course of his life. Spine with five raised bands, gilt-tooled; title in gold on blue morocco lettering-piece. The manuscript described here — and presented by Henrion as a copy of the ‘project’ sent to the Lyon Academy — is therefore of the greatest importance and value for its inclusion of two additional drawings.

Minor foxing in places, the lower blank margin of the title-page slightly soiled. Ballooning in Europe,p. Lynn, The Sublime Invention: A splendid set of large volumes containing the first edition of this monumental work devoted to archaeological discoveries at the ancient Roman town of Herculaneum, printed on thick paper and magnificently bound for the well-known bibliophile Albert of Sachsen-Teschen, founder of the eponymous Albertina in Vienna.

Upon his return, Milbert travelled through the Cape and Tenerife. The Prussian authorities were not enthusiastic about this eccentric man and his ‘dangerous’ ideas, and decided to investigate the practices at the school.

Title in gold on morocco lettering-piece. Cicogna ; Lipperheide ; R. Robison, Early Architectural Fantasies: Each plate with the English translation on pasted-on slips below the original captions in Venetian dialect.

Foucillon, Giovanni Battista Piranesieds. This Chronicle of Venice was written in the early eleventh century, and its composition is generally attributed to Ioannes Diaconus. Thirty etched plates two titles, dedication to Giovanni Gaetano Bottari dated 20 Julytwo plates of inscriptions and index, and twenty-five views. Delittti first leaf of the second part is blank. It is of especial art historical interest for showing how the gusto of eighteenth-century Venetian engraving ‘translated’ the illustrations of sixteenth-century woodcuts.

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XI, [1], pages.

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The first becacria volumes appeared in Engraved Comino printer’s device at the end. The series is divided into two parts, each opening with its own title-page: As in this previous edition, the page number on the verso is often repeated on the following recto. Spine with five small raised bands, richly gilt tooled with larger amphora-shaped tools.

For similar bindings see S. The copy was later used by Raffaello Morghen for his engraving of the ‘Cenacolo’. A fine, beautifully bound set, comprising the four-volume edition of Polybius’ complete works — presented here in the second edition — edited by Johann Schweighauser, and supplemented with his special Lexicon Polybianum. Covers within elaborate gilt frame of neoclassical decorative elements, at each inner corner a small amphora-shaped tool.

XLIV,[3] pages. Publication of the largest section of the Edition, Governance Documents, commenced with the appearance of vol. For the Lexicon Polybianum Schweighauser had likewise relied on materials previously collected by Casaubon, and more recently by the German scholar Johann August Ernesti Zompini later etched these drawings under Zanetti’s supervision, and the series was first published in A good copy, repairs to the blank margins of the title-page, tear to the frontispiece and plate no.

Title in gold on red morocco lettering-piece. Marbled pastedowns and flyleaves, green silk bookmark, red edges. It was printed by the Regia Stamperiathe royal publishing house founded by the Bourbons inand edited by the Royal Herculaneum Academy.