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Bb Trombone I T.
de Meij, Johan – Extreme Make-over (Score & Parts)
Bass Trombone C 2. Your browser does not support the audio element. There is use of dynamic contrast as well as articulation nuance whilst the need for balance and tuning is paramount. We think it is a fine piece. F Horn I 2. Percussion Additional Parts [for Scoe countries only] 1.
It ends with a quote from Tchaikovsky’s 4th Symphony, before we come to what will be a section of writing that will surely be talked about for years to come. Here lightness returns, but with complex undercurrents in the dxtreme and baritones. His other larger compositions, such as Symphony no. Eb Alto Sax II 2.
Eb Alto Sax I 2. Bb Clarinet III 1.
European Championships – Extreme Make-Over – Set Test Piece | articles
Hurtling through each instrumental group, it leads us to a festive conclusion. Bb Bass Tuba B. The main theme of the Andante cantabile is based on a Russian folksong. In Tchaikovsky arranged this movement for cello and orchestra. On the Site 4barsrest Shop Podcasts 4br Vision. Eb Horn IV 2. Johan de Meij is an extremely intelligent and thoughtful dr of note, who has written many fine original compositions, symphonic transcriptions and arrangements of film scores and musicals.
Bb Clarinet I 6.
The addition of the lower second results in a completely new sound world, completing the first metamorphosis. The following movement features a rather unconventional instrumental group: Johan de Meij Born in Voorburg, studied trombone and conducting at the Royal Conservatory of Music at The Hague and has earned international fame as a composer and arranger. AM Hal Leonard Instrumentation: Klezmer Classics Planet Earth Score: Exttreme the title suggests the work develops in almost chameleon like forms from the kernel of the first four notes of the opening stanza.
Bb Tenor Sax 1. Some of the technical writing is frightening in its difficulty and no one is spared. This fragile movement is joined seamlessly to the finale, a canonic treatment of the theme.
Eb Horn I 1. Johsn middle section is a tad overlong and can be seen as an attempt to rest the players before the final onslaught. Demo score Extreme Make Over Ha. Trombone II C 2.
It is certainly something different, but something that really does work well. Bb Trumpet II 2. The percussion section will have its hands full from very nearly the word go up to five players or more may be needed at any one timeand the timpanist gets the chance to shine at figure with a metamorphosis of the original theme.
The piece itself is about 16 and a half minutes long and basically falls into a number of clearly defined sections. Eb Horn II 1. It mkaeover with discordance and a final metamorphosis to the last immense chord that closes a work of rare brilliance. It is a brilliant idea that comes startlingly to life. The overall texture completely changes as individual lines become lost and reappear in different forms, times and settings, makeovrr complex rhythmic patterns emerge from what is seemingly musical chaos.
Bb Trombone II T. Trombone I C 2. Bb Trumpet III 2. There then follows an extended build up when the sense of change is palpable entries are marked ppp, but sense of measured heart beat is audible. F Horn IV 2.
2005 European Championships – Extreme Make-Over – Set Test Piece
Again and again little motifs and themes are heard and etxreme detail in the writing is immense. F Horn III 2. Johan de Meij Amsterdam, September Instrumentation 1.
His catalogue consists of original compositions, symphonic transcriptions and arrangements of film scores and emij. However, the metamorphosis quickens as we progress and the traditional fugue effect of added subjects becomes mixed. Eb Baritone Sax 2.